Mexico’s animation landscape has reached a thrilling milestone with I Am Frankelda, the country’s debut stop-motion feature. Directed by Roy Ambriz and Ricardo Arnaiz, this gothic musical weaves dark fantasy, whimsical horror, and toe-tapping melodies into a visually stunning narrative. Premiering at the Morelia International Film Festival, the film showcases the ingenuity of Mexican filmmakers.
A Gothic Masterpiece with Mexican Flair
Set in a Tim Burton-esque realm, I Am Frankelda follows a reclusive horror novelist living in a haunted mansion teeming with sentient books and eerie creatures. The stop-motion animation dazzles with intricate puppetry and painstakingly detailed sets, immersing viewers in a world where every shadow and cobweb feels alive. The film’s aesthetic—flickering candles, grotesque-yet-charming monsters—exudes gothic allure.
Unlike its international counterparts (The Nightmare Before Christmas, Coraline), I Am Frankelda roots its horror in Mexican folklore, superstitions, and dark humor. This cultural infusion makes it a standout—nostalgic yet groundbreaking.
A Musical with Dark Delights
The film’s soundtrack, composed by Edy Lan, is a showstopper. Haunting ballads and jazzy Broadway-style numbers elevate the story, while Ludwika Paleta’s voice performance as Frankelda brims with vulnerability and charisma.
The musical sequences shine, particularly “The Book of Horrors,” where monstrous creations dance in a shadowy spectacle. The choreography balances spookiness and whimsy, mirroring the film’s tonal duality.
A Tale of Monsters and Redemption
Beneath its macabre veneer, I Am Frankelda delivers a poignant story about isolation and self-acceptance. Frankelda’s battle with writer’s block mirrors her emotional journey, echoed by her mansion’s quirky inhabitants—each a fragment of her psyche. The screenplay avoids childish simplicity, offering layers that resonate with adults and kids alike.
A Landmark for Mexican Cinema
Produced by Ánima Estudios (Legend of the Chupacabras), I Am Frankelda is a testament to Mexico’s growing animation ambition. Stop-motion’s labor-intensive nature makes this achievement even more remarkable. The handmade aesthetic—visible fingerprints, subtle imperfections—enhances its eerie charm.
Verdict: A Must-See for Animation Lovers
I Am Frankelda is a triumph—spooky, funny, and deeply moving. With its fusion of folklore, stunning visuals, and unforgettable music, it sets a new bar for Latin American animation.
Rating: 4.5/5
Now in select Mexican theaters; international releases coming soon.
