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Italian-Filipino Comedy ‘I Have to F––– Before the World Ends’ Lands Tokyo Funding
The bold coming-of-age comedy I Have to F––– Before the World Ends has secured critical funding at the Tokyo Gap-Financing Market (TGFM), marking a major step for this Italian-Filipino collaboration. The film’s provocative title and cross-cultural narrative have already sparked industry buzz.
A Multicultural Cinematic Blend
Directed by Marco Del Monte (Italy) and co-produced by Manila’s CineVisory, the film follows Luca, a 20-something Italian-Filipino man who believes the world will end in 48 hours. Determined to lose his virginity before doomsday, he embarks on a chaotic, heartfelt journey through Manila’s vibrant streets.
The project’s selection at TGFM—a key platform for innovative films—highlights its global appeal. Known for supporting commercially viable and artistically daring projects, TGFM’s backing signals strong market confidence.
Why This Film Stands Out
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Provocative Storytelling with Depth
Beyond its shocking title, the film explores self-discovery, cultural identity, and existential fears. Early reviews liken it to The 40-Year-Old Virgin and Superbad, but with a unique multicultural perspective. -
Fresh Spin on Coming-of-Age Tropes
Unlike typical teen comedies, it tackles adult anxieties through Luca’s mixed-heritage struggles, blending raunchy humor with emotional resonance. -
Strong Market Potential
With rising demand for Southeast Asian cinema (Parasite, Everything Everywhere All at Once), the film’s cross-border appeal could attract global audiences and streaming platforms.
What’s Next for the Film?
- Principal photography begins in early 2025, filming in Manila and Rome.
- Casting announcements expected soon, with rumors of a rising Filipino star in the lead.
- Festival speculation: Could this debut at Cannes’ Directors’ Fortnight or Sundance?
Final Takeaway
I Have to F––– Before the World Ends is poised to challenge genre conventions with its audacious premise and multicultural heart. As financing locks in, the film industry—and audiences—will be watching closely.
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